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The Pop Shop was far from Haring's only effort to make his work widely accessible. Throughout his career, Haring made art in subways and on billboards.[64] His attempts to make his work relatable can also be seen in his figures' lack of discernable ages, races, or identities.[10] By the arrival of Pop Shop, his work began reflecting more socio-political themes, such as anti-Apartheid, AIDS awareness, and the crack cocaine epidemic.[5] 153554b96e
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